The Testament of Abraham and the Threefold Judgement of God #5 'Stuck in the Middle With You'3/30/2016 The film Terminal, a film directed by Stephen Spielberg and starring Tom Hanks, is about someone who, for political and bureaucratic reasons, becomes a resident of the airport terminal at J.F.K. airport in the U.S.A. The story is that Tom Hank's character, Victor Navorski, arrives in the US from an unnamed eastern European country to discover that the U.S. authorities don't recognise the government which has just taken power in his country and that consequently his papers have become invalid. Because the authorities at J.F.K. airport won't allow him into the US and he because he can't go back home he has to live in the International Lounge of the airport. There he makes friends, learns English and falls in love! It is fascinating idea, that someone can become legally stateless, able to live only in that legal 'no-man's land' between countries which is the airport terminal. The film mirrors the true story of Merhan Nasseri who lived in the airport terminal at Charles de Gaulle Airport airport in Paris from 1988 until 2006 after his papers were stolen while travelling from Belgium to the United Kingdom. Charles de Gaulle spokesman Danielle Yzerman said of Nasseri's plight, "An airport is kind of a place between heaven and earth. He has found a home here." That description "a kind of place between heaven and earth" sums up exactly the situation of someone we read about in the ancient Jewish text, the Testament of Abraham. In this comic novel dating (probably) from some time in the late 1st century A.D., the great and righteous patriarch Abraham, the 'friend of God', visits the 'great assize' on the other side of the gate of heaven where the dead are judged. He is taken there by his angel-guide Michael, in order to grasp the cold, brutal severity of true justice. There Abraham sees the dead being judged in three ways; by means a great book which contains the infallible record of each person's life; by a balance, a set of scales held by an angel known as Dokiel, 'the angel of righteousness'; and by the testing fire held in the trumpet of the 'angel of fire', Puriel. In these three ways each soul is measured, weighed and tested and an unerring, precise measurement of their righteousness and wickedness is made. There is no room here for compassion, for mercy or for mitigation. One by one the souls are judged and taken either to paradise or to a place of torment and destruction. In this way Abraham is confronted with the consequences of his desire to call down the punishment of God upon the unrighteous people he has seen during his tour of the earth. But there is one individual for whom the system doesn't seem to work. In the case of one problematic soul no decision can be made. The lists of their good and bad 'works' are of the same length in the Great Book and their good and bad deeds are finely balanced in the scales. They don't fit - no decision can be made on them; they must wait until the coming of God at The Arrival, when the final infallible decision on all mankind will be made. Just like Viktor in Terminal this soul must remain at heaven's 'arrival lounge', unable to go further but equally (because she or he is dead) unable to return to the world to carry on with life. This unfortunate soul too is stateless, stuck 'in-between', inhabiting that 'no-souls land' between this life and the next. And so it would have remained had it not been for the intervention of Abraham. The plight of this one poor soul and the realisation that perhaps he could make a difference, inspires something new and wonderful in Abraham's heart. In this post I explain what that change was and what it meant for Abraham . . . . and for early Christianity.
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As he passes through the gates with their terrible message of warning Dante sees an unsettling sight And I, all eyes, saw a whirling banner INFERNO Canto 3:52-69 [Translation Robert and Jean Hollander: the Princeton Dante Project] 'Making your mind up'Sometimes it's hard to make choices. Either we don't quite know what we want (will we have the beef or the chicken) where we are trying to balance the merits of two things we like, or we are worried about the consequences of our choice (if I have the chicken with the creamy sauce I will be putting on more weight than if I have the lean beef) where we are weighing up our desire (creamy chicken) against the outcome (calories). Usually finding it hard to choose isn't a big problem (unless for our spouses, who are sitting outside the changing room growing increasingly frustrated at the time it is taking to choose a new pair of trousers/shoes etc) but sometimes, when our choices really matter, indecision can be fatal. Sometimes not choosing is simply not a option and is in fact a form of surrender. When we refuse to take sides when one of those sides is clearly wrong, when we stay neutral when existential issues are at stake, when we stay silent and hide behind our newspaper when someone is being sexually harassed in our train carriage, when we 'opt out' of the discussion when the future of the community or the family is being decided, then we are denying something fundamental about ourselves, our necessary involvement and responsibility. When we opt out in this way we become less than what we should be, as Dante would see it, less than human, For Dante the refusal to decide for or against the Good was the worst sin that a person could commit. In his view each person creates his or her own identity through the decisions they make, be they good or bad. Being is a function of doing and doing involves decision-making. Those who refused to take sides, to commit themselves in the necessary moral choices of life were, in his view, opting out of life itself. In his own day Dante thought that far too many people were playing safe and 'sitting on the fence'. At that time there was a fierce battle raging over who should have supreme political authority over the city-states of Italy such as Florence, between the supporters of the papacy based in Rome, and those who supported the authority of the Holy Roman Emperor, who claimed to be the direct successor of the original Roman emperors. Dante was on the side of the Emperor and critical of the church and papacy. The Emperor, he believed, was the divinely appointed ruler over the material world and his rule would bring peace and safeguard the rights and prosperity of his home city of Florence. The papacy on the other hand, was responsible for the spiritual good of the citizens, guiding them to eternal happiness. Even in that regard, Dante thought, the Popes had failed, becoming as he saw it hopelessly corrupt. But Dante saw that the rapid growth and increasing prosperity of Florence and other italian city states led many to opt out of involvement in the big issues of the day. For some there was too much to lose. In his life before his exile, Dante had committed himself to one of the political factions within Florence, the so called 'White' Guelf party, which ultimately led to his exile in 1302 when, at the instigation of the then Pope, Boniface VIII, the 'Black' Guelf party took over control of the city. Although he eventually renounced membership of any factional party or group, calling himself a 'party of one', Dante knew what it was to make choices, take risks and suffer the consequences out of conviction. He believed that everyone who was able to should take responsibility for working towards the common Good, i.e. the revelation of God's will on earth (which he associated with the victory of the Emperor and the limitation of the powers of the Pope). But he believed many, motivated by greed and self interest, avoided doing so. For such as these, the moral cowards of his day, he created a very special place in his hell. In the ante-chamber of hell, he locates the people who refused to choose, who, in the afterworld as in life, hardly seem to exist at all. They spend eternity chasing a banner (flag) which has no emblem, represents no cause. Those who in this life chose no cause, who believed in nothing, are now seen as they really are; the devoted, committed supporters of nothing! As they chase the banner, they are gnawed at by worms and their blood, running to the ground, provides the nourishment for the maggots beneath their feet. In other words their pointless lives have become a form of death. These are the people as Dante puts it, 'who never were alive'. Centuries later, another poet trying to express his impression that the modern world was devoid of the commitment and passion that gave it meaning, found inspiration in this terrible vision. In The Wasteland T.S. Eliot describes his own vision of the living dead, the great crowd 'who never were alive' Unreal City, It's amazing how there really is 'nothing new under the sun', as the saying goes. If I said that in this post I was going to write about people being impregnated by horrific creatures whose offspring then burst violently out of their bodies or about hybrid dragon monsters, living creatures made from metal, you would probably think I was talking about something from the realm of science fiction, about face-hugging aliens or Transformers. But I am not. About a thousand years ago these were the horrors dreamed up (literally perhaps) by the author of the remarkable Vision of Tundale which recounts the three day journey of the Irish knight Tundale to hell and then heaven. The journey is arranged by God to cure Tundale of his sinful ways and put him back on the right track and his guide for the journey is his guardian angel. The 'alien offspring' and the hybrid monster are the next steps in the 'program'. It just goes to show - the best 'horrors' reflect our deepest fears, and these have been with us from the very beginning.
Some of the most remarkable, wonderful and unsettling images of hell and damnation from the middle ages are found in a 15th century manual describing the apocalypse (the end of the world) produced by Carthusian monks in France known as Le Livre de la Vigne nostre Seigneur (The Book of the Vineyard of our Lord). Now held by the Bodleian LIbrary in Oxford its illustrations and are available to view here. This seems to have been the second volume of a larger, two part work, completed some time before 1463 in France. Its author and illustrators are unknown. It's thought to be Carthusian because one illustration depicts two Carthusian monks. These images depict the Antichrist and his war on the Church, the signs of the coming of the end of the world, the Last Judgement and then, in full gory detail, the sufferings of the damned. (I should point out the book also pictures the saints in paradise but these are really boring by comparison!) The whole point of this blog is to argue that our ideas of heaven and hell owe far more to the imaginations of writers and artists in the middle ages and Renaissance than to the bible and here we get a really good feel for the kinds of ideas that were shaping the thinking of Christians bout the afterlife at this time. They are fun, shocking, amusing and very, very interesting.
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April 2016
GalleryThis blog is as much about images as it is about text. Below is a slideshow of the pictures and images used in this blog. Click on any of the pictures to go to the post where that image is featured.
PostsLocating Paradise #1 In a Garden, Far, Far Away
The Testament of Abraham and the Threefold Judgement of God #5 'Stuck in the Middle With You'
The Resurrection According to Rahner
Today You Will Be With Me in Paradise
The Testament of Abraham and the Threefold Judgement of God #4 'And Who by Fire'
The Testament of Abraham and the Threefold Judgement of God #3: Held in the Balance
The Testament of Abraham and the Threefold Judgement of God #2: Once, Twice, Three Times a Sinner
The Testament of Abraham and the Threefold Judgement of God #1: The Broad and Narrow Gates
Daily Dante 7: Many Rivers to Cross
Daily Dante 6: 'You Gotta Serve Somebody'
In Hell Everyone Can Hear You Scream. The Vision of Tundale #3
Teeth, Spikes and Cleavers: At the Sharp end of Hell. The Vision of Tundale #2
'No Pain No Gain': The Vision of Tundale #1
'Hellzapoppin':
Illustrations from Le Livre de la Vigne nostre Seigneur, #2 'It's The End of the World as We Know It (and we feel fine)'. Illustrations from Le Livre de la Vigne nostre Seigneur, #1
Visions of Heaven. Botticini's Assumption of the Virgin #2 Blinded by the Light
Visions of Heaven. Botticini's Assumption of the Virgin #1: Glorious and Immortal
Daily Dante 5: What the gates said.
Daily Dante 4: When I find myself in times of trouble
Daily Dante 3: I'll take you there
Daily Dante 2: Fierce creatures
Daily Dante 1: If you go down to the woods today
In Seventh Heaven or 'What Enoch Did Next'
A World of Fire and Ice: Heaven according to Enoch
The Power and the Glory: Visions of God as king in the Hebrew bible
The Beautiful Bestiary of Catherine Cleves: Monsters and Demons in detail.
Heaven is for Real: Heaven as a physical space up above the sky
Resurrecting the Dead or Reviving the Flowers? The loss of resurrection faith in Judaism.
The Defeat of Death #1: The promise of resurrection in the Isaiah Apocalypse.
The Defeat of Death #2: Death as a hostile power and promise of God's victory in Isaiah
Scary Monsters and Super Creeps: The 'Last Judgement' according to Stefan Lochner
Hell in the Hospital: The 'Last Judgement' of Rogier van der Weyden in the Beaune altarpiece.
'Hell' in the New Testament #2: The gates of Hades shall not prevail
The Hours of Catherine Cleves: Imagining hell and purgatory in Catherine's prayer book
'On Earth as in Heaven': The kingdom of God as a revelation of heaven
'Hell' in the New Testament #1: Gehenna
Lost in Translation #1: How the King James version got it so wrong about hell
Heaven is not our home
Domes, Depths and Demons: The cosmology of the Hebrew world
A Bigger God
"See you in Sheol" - Sheol, the common destination of all
Heaven, Hell and Christian Hope
BooksBelow are some of the books which have helped me the most in the research and writing for this blog. Click on any image to find out more about that book at its page on Amazon uk.
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