Once upon a time, the bible tells us, Abraham the great patriarch of the Hebrews was visited by God. The story says that God came to Abraham in the form of three 'men' (who were, in fact, divine messengers or angels) and without knowing who these three men were, Abraham welcomed them into his home and fed them. This was a sign of Abraham's holiness and generosity of spirit. If he had known who it was he was entertaining and was lavish with his hospitality then that would be unremarkable. Everyone would put on a special spread for God! But Abraham didn't. What made the story so special was in being hospitable to three complete strangers Abraham was in fact being hospitable to God. And so the story became the basis for a whole tradition of seeing God in 'the stranger', which we find again in the New Testament story of the disciples on the road to Emmaus after the resurrection, who unwittingly entertained Jesus, and which in the last century found it's best known moral expression in the work of Mother Teresa of Calcutta who famously said that when she took care of the destitute in Calcutta she saw in each one 'Jesus in disguise'. For the rest of us mere mortals, we are reminded by the writer of the letter to the Hebrews that when that unwelcome knock comes on the door, late on a friday night when we are ready to go to bed or entertaining friends Let mutual love continue. Do not neglect to show hospitality to strangers, for by doing that some have entertained angels without knowing it. (Hebrews 13.1-2) But this story also became the basis for a wonderful comedy-fantasy adventure based on Abraham's life (or more precisely, his death) called the Testament of Abraham. It was written sometime in the first or second centuries A.D. by a Jewish writers for a Jewish audience, but the story also found a home in Christian groups and it was in fact they who preserved the story so that it reached us today. The story is about God's desire to prepare Abraham for his death. Most of us assume that we would appreciate the chance to know when we are going to die so that we could come to terms with the fact and put all our affairs in order. But I wonder if that's really true. Wouldn't most of really prefer just to go quickly, peacefully and unexpectedly? Wouldn't we prefer ignorance? Well, despite his best intentions, that's what God discovers in this wonderful, irreverent and hilarious story. First of all God discovers that it's almost impossible even to tell Abraham (how do you tell someone you love that they are going to die . . . many of us have been there and know how hard that is!). Next he discovers that even the godly Abraham doesn't want to leave his life behind and God is forced to grant him a 'last wish' which turns out to be a disaster and has to be cancelled. And then, thirdly, when eventually God sends Death (yes a figure called Death . . . . and with a scythe!) to wrap things up, he discovers that Death just isn't up to the job! This whole idea of telling his friend he is going to die to allow him time to come to terms with it gradually unravels as the story goes on and begins to look like a very bad idea! The reader is left with the impression that God made a big mistake by telling his friend the news of his impending death. The story is really about how messy death is (I don't mean blood and gore but socially and psychologically). We talk about a 'good death' and 'preparing ourselves' and 'letting go', but in reality death is chaotic and terrible. We poor human beings hold on to life for as long as we can and even the best laid plans (even God's, it seems) can go terribly awry in the face of the grim reality that faces all of us. When faced with the prospect of leaving 'all this behind' even the best of us can become irrational, fearful, angry and manipulative. Even the greatest of the great heroes of faith, Abraham is no exception. We don't like death. It's not natural. There is something deeply wrong about it. The story is a great insight into this struggle between the reality we all face and our stubborn, powerful hold on life. But the story (because it is about death) is also a fascinating insight into the attitudes of some Jews in the first two centuries after the birth of Christ (and possibly before) towards the afterlife. Here in the Testament of Abraham souls leave their bodies and face immediate post mortem judgement. Here the writer imagines that post mortem judgement in terms of passing through either the broad or the narrow gates, being weighed in the balance by angels and having our works 'tested by fire'. It is a story that reveals that in this era some people believed that the righteous find eternal life in paradise if the weight of their good deeds is greater than the weight of their bad deeds and that if they don't, their destiny lies in hell, a place of everlasting fire and torture. We discover here that it is possible for God to restore the lives of some who have died before their time and send them back to their lives on earth. In other words it is a story that shows that around the time the New Testament was being written, God-fearing Jews (and the Christians who valued and preserved this story) believed in most of the things that went on to form the popular view of death and afterlife that people believe today! Now of course if you have been following these posts you will realise that I think most of those things just mentioned are not part of the biblical picture of death and afterlife. But the reason for writing about the story (apart from the sheer joy I have found reading this wonderfully witty story) is my fascination in finding so many of these ideas already in currency in such an early story from the Jewish tradition. The point of the blog is not (just) to attack views I think are wrong but to try to understand how we got from the biblical perspective to the place we are today and I think stories like these show that the powerful influence of Greek thought was already having on Jewish (and so christian) thinkers and writers of faith at this time. In the Greek, Hellenistic word-view, souls could be detached from bodies, people could exist in a meaningful way after death and the worth of your soul could be discovered by placing it on a set of scales. None of these ideas is found in the Hebrew bible. But they are found here, in this fantastical Jewish 'fairy story'. Yes all these things are possible here . . . . but before we are tempted to think that this story is a reflection of the authentic biblical tradition we should also remember that the story also asks us to believe that Abraham lived to the age of a thousand years, that he could take a tour of the entire creation in the divine chariot in the space of half a day and that our lives are ended by the arrival at our houses one day of a tall, scary figure holding a scythe! Or maybe it doesn't ask us to believe any of these things. Maybe it is just a wonderful story about an old man who loved his life and didn't want to give it up! Maybe these popular motifs about the afterlife are just the tools the writer uses to tell a far more meaningful story about the tenacity of human life and its deep seated resistance to death.
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Having witnessed the hopeless chasing of the empty banner by the uncommitted souls, the pilgrim notices that they are near the banks of a river. Countless numbers of lost souls wait for the boat that will take them into hell itself. The boat appears, manned by a frightful figure, And now, coming toward us in a boat, INFERNO Canto 3:82-87 [Translation Robert and Jean Hollander: the Princeton Dante Project] During the summer I spent a day in the Swedish mountains. It was wonderful and I will never forget the memories of wandering around the (minor) peaks of the Sarek National Park virtually alone. But to start my climb I had to be taken across a river by boat. The few of us making the journey made our way down from the Fjällstation at Kvikkjokk to the river bank at the appointed time and very soon a small boat powered by an outboard motor came and moored at the jetty and we got on board. Within minutes I realised that the boatman was as much a feature of the national park as the mountains and the river. His name was Björn and naturally and engagingly he asked us who we were and why we were making the journey. He explained the natural features of the river, and took a detour to show us the pool that formed where the river waters came down to mix with the waters of the river (and to feel the cold wind that flowed down from the mountains with the freezing water!). He explained everything gently and effortlessly. He was quiet and unassuming and yet all of us were gripped by his strange charisma and his 'other-worldly' bearing. Later I discovered that he is quite famous and held in high regard by those who have encountered him! He is very special and one of my best memories of that day. If paradise has to be accessed by crossing a river then I know the perfect candidate for the job of boatman! Unfortunately for Dante the boat that came to take him and Virgil across the Acheron river, the boundary between the entrance to hell and hell itself, was not manned by Björn. Instead the figure punting the boat towards them is Charon the mythological ferryman of classical legend. Unlike Björn, Charon is rough and aggressive, part human, part monster, a terrifying, unpleasant, uncouth figure whose appearance reflects his terrible job, conveying the damned to their eventual fates in hell. There is no welcome, no interesting conversation in Charon's boat. There is simply condemnation, accusation and, if we are not careful, a blow from his pole! At first Charon refuses to take Dante across the river to hell. Dante is still alive and Charon spits out his distaste at the unnatural sight of the living in the presence of death and damnation. 'And you there, you living soul, INFERNO Canto 3:88-93 [Translation Robert and Jean Hollander: the Princeton Dante Project] But Charon has no right to deny Dante the pilgrim acces to hell. Like Jake and Elroy Blues, the pilgrim is on a 'mission from God'. His journey is a journey of salvation, a journey to the very heart of God. Charon, representing the old classical world with all its pagan myths and philosophy which Christ has judged by his coming, cannot resist such a journey. He must play his part and take his allotted role in helping to bring the pilgrim to his revelation of God. The message is clear. The world has changed. Christ is Lord and the very intellectual framework by which each of understands and relates to the world must change to reflect that Lordship.
As he passes through the gates with their terrible message of warning Dante sees an unsettling sight And I, all eyes, saw a whirling banner INFERNO Canto 3:52-69 [Translation Robert and Jean Hollander: the Princeton Dante Project] 'Making your mind up'Sometimes it's hard to make choices. Either we don't quite know what we want (will we have the beef or the chicken) where we are trying to balance the merits of two things we like, or we are worried about the consequences of our choice (if I have the chicken with the creamy sauce I will be putting on more weight than if I have the lean beef) where we are weighing up our desire (creamy chicken) against the outcome (calories). Usually finding it hard to choose isn't a big problem (unless for our spouses, who are sitting outside the changing room growing increasingly frustrated at the time it is taking to choose a new pair of trousers/shoes etc) but sometimes, when our choices really matter, indecision can be fatal. Sometimes not choosing is simply not a option and is in fact a form of surrender. When we refuse to take sides when one of those sides is clearly wrong, when we stay neutral when existential issues are at stake, when we stay silent and hide behind our newspaper when someone is being sexually harassed in our train carriage, when we 'opt out' of the discussion when the future of the community or the family is being decided, then we are denying something fundamental about ourselves, our necessary involvement and responsibility. When we opt out in this way we become less than what we should be, as Dante would see it, less than human, For Dante the refusal to decide for or against the Good was the worst sin that a person could commit. In his view each person creates his or her own identity through the decisions they make, be they good or bad. Being is a function of doing and doing involves decision-making. Those who refused to take sides, to commit themselves in the necessary moral choices of life were, in his view, opting out of life itself. In his own day Dante thought that far too many people were playing safe and 'sitting on the fence'. At that time there was a fierce battle raging over who should have supreme political authority over the city-states of Italy such as Florence, between the supporters of the papacy based in Rome, and those who supported the authority of the Holy Roman Emperor, who claimed to be the direct successor of the original Roman emperors. Dante was on the side of the Emperor and critical of the church and papacy. The Emperor, he believed, was the divinely appointed ruler over the material world and his rule would bring peace and safeguard the rights and prosperity of his home city of Florence. The papacy on the other hand, was responsible for the spiritual good of the citizens, guiding them to eternal happiness. Even in that regard, Dante thought, the Popes had failed, becoming as he saw it hopelessly corrupt. But Dante saw that the rapid growth and increasing prosperity of Florence and other italian city states led many to opt out of involvement in the big issues of the day. For some there was too much to lose. In his life before his exile, Dante had committed himself to one of the political factions within Florence, the so called 'White' Guelf party, which ultimately led to his exile in 1302 when, at the instigation of the then Pope, Boniface VIII, the 'Black' Guelf party took over control of the city. Although he eventually renounced membership of any factional party or group, calling himself a 'party of one', Dante knew what it was to make choices, take risks and suffer the consequences out of conviction. He believed that everyone who was able to should take responsibility for working towards the common Good, i.e. the revelation of God's will on earth (which he associated with the victory of the Emperor and the limitation of the powers of the Pope). But he believed many, motivated by greed and self interest, avoided doing so. For such as these, the moral cowards of his day, he created a very special place in his hell. In the ante-chamber of hell, he locates the people who refused to choose, who, in the afterworld as in life, hardly seem to exist at all. They spend eternity chasing a banner (flag) which has no emblem, represents no cause. Those who in this life chose no cause, who believed in nothing, are now seen as they really are; the devoted, committed supporters of nothing! As they chase the banner, they are gnawed at by worms and their blood, running to the ground, provides the nourishment for the maggots beneath their feet. In other words their pointless lives have become a form of death. These are the people as Dante puts it, 'who never were alive'. Centuries later, another poet trying to express his impression that the modern world was devoid of the commitment and passion that gave it meaning, found inspiration in this terrible vision. In The Wasteland T.S. Eliot describes his own vision of the living dead, the great crowd 'who never were alive' Unreal City, It's amazing how there really is 'nothing new under the sun', as the saying goes. If I said that in this post I was going to write about people being impregnated by horrific creatures whose offspring then burst violently out of their bodies or about hybrid dragon monsters, living creatures made from metal, you would probably think I was talking about something from the realm of science fiction, about face-hugging aliens or Transformers. But I am not. About a thousand years ago these were the horrors dreamed up (literally perhaps) by the author of the remarkable Vision of Tundale which recounts the three day journey of the Irish knight Tundale to hell and then heaven. The journey is arranged by God to cure Tundale of his sinful ways and put him back on the right track and his guide for the journey is his guardian angel. The 'alien offspring' and the hybrid monster are the next steps in the 'program'. It just goes to show - the best 'horrors' reflect our deepest fears, and these have been with us from the very beginning.
Sometimes looking just isn't enough, you just have to jump in to get the full benefit. Exercise is like that. You can watch sport all day long but you won't lose a kilo in weight or improve your fitness level one iota unless you actually take part. Travel is like that too. You can watch any number of travel programs on TV but it doesn't mean you have actually been to those places. You have never experienced the sights, sounds and scents that make those places so distinctive and memorable. That's what Tundale discovered about one thousand years ago. He discovered that just looking isn't enough. Tundale was a young Irish knight who had an 'out of body' experience and went to hell with his guardian angel in order to see what lay in store for him unless he reformed his life. But Tundale soon found that to get the full benefit of the journey he had to experience the torments of hell for himself. Standing and watching other people suffer wouldn't help him at all. He had to know what it was like to be burned, frozen, beaten, chopped to pieces, famished and devoured. He had to stop being a spectator and take the plunge! Thank goodness he did. Whatever it did for his soul, it helps to make this wonderful account of his hellish journey so horrifyingly entertaining!
Some years ago the youth justice system in the UK tried to shock young offenders into reforming their lives by giving them an experience of what life in prison was really like. They were taken to visit adult prisons and allowed to meet and spend time with the inmates and to see the regimes there. The hope was that by seeing how unpleasant prison life was and how intimidating some of the inmates were, they might be so scared they would think again about committing crimes or causing trouble. Recently I heard on the radio that research has shown that these visits have proved to be largely ineffectual and the program is to be wound down. But whether it was successful or not it certainly wasn't a new idea when it was introduced. About 1000 years ago a young Irish knight who had seriously 'gone of the rails' wrote an account of just such a visit. Just as in the modern schemes he was shown the punishment that awaited him if he didn't reform, in the hope that he would be so terrified he would be shaken out of his wicked ways and change his life. But it wasn't a prison he was taken to, it was hell itself. He was shown and experienced the tortures of the damned and felt (and smelt) their pain! Unlike the more recent schemes this 'scheme' worked and he came back to this world a reformed character. Here and in subsequent posts I want to try to describe this vision of the tortures of hell and trace some of the influences it had in later versions of hell and paradise, in literature and in art.
In the previous post I looked at some of the illustrations from Le Livre de la Vigne nostre Seigneur, a 15th century French manual describing the end of the world, the last judgement and the punishment of the wicked in hell. It's an amazing document and the illustrations are quite remarkable and beautiful. The illustrations show the activity of the Antichrist, the signs of the Apocalypse and the Last Judgement. After the Last Judgement the illustrations show in graphic detail the terrible punishments and tortures that lie in wait for the damned. In this post I want to show you these illustrations, not just to revel in the twisted imagination of these Renaissance monks as they imagined the unspeakable horrors of damnation (although I do!) but to think about what they tell us about the Renaissance view of sin. A warning before we begin - this is not for the faint hearted or the sqeamish!
Some of the most remarkable, wonderful and unsettling images of hell and damnation from the middle ages are found in a 15th century manual describing the apocalypse (the end of the world) produced by Carthusian monks in France known as Le Livre de la Vigne nostre Seigneur (The Book of the Vineyard of our Lord). Now held by the Bodleian LIbrary in Oxford its illustrations and are available to view here. This seems to have been the second volume of a larger, two part work, completed some time before 1463 in France. Its author and illustrators are unknown. It's thought to be Carthusian because one illustration depicts two Carthusian monks. These images depict the Antichrist and his war on the Church, the signs of the coming of the end of the world, the Last Judgement and then, in full gory detail, the sufferings of the damned. (I should point out the book also pictures the saints in paradise but these are really boring by comparison!) The whole point of this blog is to argue that our ideas of heaven and hell owe far more to the imaginations of writers and artists in the middle ages and Renaissance than to the bible and here we get a really good feel for the kinds of ideas that were shaping the thinking of Christians bout the afterlife at this time. They are fun, shocking, amusing and very, very interesting.
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Archives
April 2016
GalleryThis blog is as much about images as it is about text. Below is a slideshow of the pictures and images used in this blog. Click on any of the pictures to go to the post where that image is featured.
PostsLocating Paradise #1 In a Garden, Far, Far Away
The Testament of Abraham and the Threefold Judgement of God #5 'Stuck in the Middle With You'
The Resurrection According to Rahner
Today You Will Be With Me in Paradise
The Testament of Abraham and the Threefold Judgement of God #4 'And Who by Fire'
The Testament of Abraham and the Threefold Judgement of God #3: Held in the Balance
The Testament of Abraham and the Threefold Judgement of God #2: Once, Twice, Three Times a Sinner
The Testament of Abraham and the Threefold Judgement of God #1: The Broad and Narrow Gates
Daily Dante 7: Many Rivers to Cross
Daily Dante 6: 'You Gotta Serve Somebody'
In Hell Everyone Can Hear You Scream. The Vision of Tundale #3
Teeth, Spikes and Cleavers: At the Sharp end of Hell. The Vision of Tundale #2
'No Pain No Gain': The Vision of Tundale #1
'Hellzapoppin':
Illustrations from Le Livre de la Vigne nostre Seigneur, #2 'It's The End of the World as We Know It (and we feel fine)'. Illustrations from Le Livre de la Vigne nostre Seigneur, #1
Visions of Heaven. Botticini's Assumption of the Virgin #2 Blinded by the Light
Visions of Heaven. Botticini's Assumption of the Virgin #1: Glorious and Immortal
Daily Dante 5: What the gates said.
Daily Dante 4: When I find myself in times of trouble
Daily Dante 3: I'll take you there
Daily Dante 2: Fierce creatures
Daily Dante 1: If you go down to the woods today
In Seventh Heaven or 'What Enoch Did Next'
A World of Fire and Ice: Heaven according to Enoch
The Power and the Glory: Visions of God as king in the Hebrew bible
The Beautiful Bestiary of Catherine Cleves: Monsters and Demons in detail.
Heaven is for Real: Heaven as a physical space up above the sky
Resurrecting the Dead or Reviving the Flowers? The loss of resurrection faith in Judaism.
The Defeat of Death #1: The promise of resurrection in the Isaiah Apocalypse.
The Defeat of Death #2: Death as a hostile power and promise of God's victory in Isaiah
Scary Monsters and Super Creeps: The 'Last Judgement' according to Stefan Lochner
Hell in the Hospital: The 'Last Judgement' of Rogier van der Weyden in the Beaune altarpiece.
'Hell' in the New Testament #2: The gates of Hades shall not prevail
The Hours of Catherine Cleves: Imagining hell and purgatory in Catherine's prayer book
'On Earth as in Heaven': The kingdom of God as a revelation of heaven
'Hell' in the New Testament #1: Gehenna
Lost in Translation #1: How the King James version got it so wrong about hell
Heaven is not our home
Domes, Depths and Demons: The cosmology of the Hebrew world
A Bigger God
"See you in Sheol" - Sheol, the common destination of all
Heaven, Hell and Christian Hope
BooksBelow are some of the books which have helped me the most in the research and writing for this blog. Click on any image to find out more about that book at its page on Amazon uk.
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